BIOGRAPHY

Bethan Terry is a lyric-coloratura soprano based in London, with Yorkshire roots. Her professional engagements range from full-scale operas to intimate recitals. Her most recent performances include: Adina and Giannetta in L’elisir d’amore (Wild Arts Tour); recitals of French song in London’s Wigmore Hall and Paris’ Salle Cortot.

Her operatic roles include Rosalinde in Die Fledermaus (Merry Opera), Fiordiligi in Così fan tutte, the title role in Semele, Contessa and Susanna in Le nozze di Figaro, Belinda in Dido & Aeneas, Elettra in Idomeneo, Stella in Previn’s A Streetcar named Desire and Jenny in Weill’s Die Dreigroschenoper. Bethan’s recent concert performances include: a BBC Immersion: George Walker concert, Haydn’s Nelson Mass and Bach’s Magnificat in Ely Cathedral, Haydn’s The Creation (Solihull Choral), a concert with Oxford Lieder, two recital tours in Northern Italy and a staged gala for Clonter Opera.

Bethan was recently awarded joint first prize at the Dean & Chadlington Competition. She was also a finalist or semi-finalist in the ROSL Competition, Somerset Song Prize, London Song Festival Schubert Prize and the Hurn Court Competition. She is a Josephine Baker Trust Artist and was a Leeds Lieder Young Artist. Bethan was a Junior Fellow at Guildhall School, where she also completed her master’s with Janice Chapman and Marie Vassiliou; her undergraduate was at Trinity Laban, where she studied with Sophie Grimmer.

A woman with blue eyes and light brown hair tied back, wearing a red shirt and earrings, looking directly at the camera against a neutral background.
  • "Terry's honeyed soprano has a versatility of delivery, from spirited attack to lyrical introspection."

    Mark Aspen

  • “There was real human substance to characters who can feel one-dimensional: Bethan Terry’s sparky Belinda, nudging moody Dido (Leila Zanette) towards what she wants…”

    Robert Thicknesse, OperaNow

  • "We have Giannetta - a sparkling, beautifully sung performance from Bethan Terry."

    Patrick Shorrock, Mark Aspen

  • "Bethan Terry has another fetching and expansive aria here, as Adina tells Nemorino he is free... Terry beautifully expresses Adina's self realisation here."

    Mark Aspen

  • "Bethan Terry is captivating and attractive in the role of Adina, adding just a little edge to the sassy independent woman."

    Mark Aspen

  • “Bethan Terry is a charming and sparkling presence as Belinda, especially so in her winsome solos…”

    Wellington Weekly News

  • “…complete with her faux Hungarian accent! Her delivery of the ‘Czardas’ was particularly impressive.”

    Roger Wettone, Music in Portsmouth

  • "Terry's honeyed soprano has a versatility of delivery, from spirited attack to lyrical introspection."

    Mark Aspen

  • “There was real human substance to characters who can feel one-dimensional: Bethan Terry’s sparky Belinda, nudging moody Dido (Leila Zanette) towards what she wants…”

    Robert Thicknesse, OperaNow

  • "We have Giannetta - a sparkling, beautifully sung performance from Bethan Terry."

    Patrick Shorrock, Mark Aspen

  • "Bethan Terry has another fetching and expansive aria here, as Adina tells Nemorino he is free... Terry beautifully expresses Adina's self realisation here."

    Mark Aspen

  • "Bethan Terry is captivating and attractive in the role of Adina, adding just a little edge to the sassy independent woman."

    Mark Aspen

  • “Bethan Terry is a charming and sparkling presence as Belinda, especially so in her winsome solos…”

    Wellington Weekly News

  • “…complete with her faux Hungarian accent! Her delivery of the ‘Czardas’ was particularly impressive.”

    Roger Wettone, Music in Portsmouth