• “There was real human substance to characters who can feel one-dimensional: Bethan Terry’s sparky Belinda, nudging moody Dido (Leila Zanette) towards what she wants…”

    Robert Thicknesse, OperaNow

  • "Terry's honeyed soprano has a versatility of delivery, from spirited attack to lyrical introspection."

    Mark Aspen

  • "We have Giannetta - a sparkling, beautifully sung performance from Bethan Terry."

    Patrick Shorrock, Mark Aspen

  • Bethan Terry has another fetching and expansive aria here, as Adina hands back the naval papers... Terry beautifully expresses Adina's self realisation here."

    Mark Aspen

  • “Bethan Terry is a charming and sparkling presence as Belinda, especially so in her winsome solos…”

    Wellington Weekly News

  • “…complete with her faux Hungarian accent! Her delivery of the ‘Czardas’ was particularly impressive.”

    Roger Wettone, Music in Portsmouth

  • "Bethan Terry is captivating and attractive in the role of Adina, adding just a little edge to the sassy and independent woman."

    Mark Aspen

  • “There was real human substance to characters who can feel one-dimensional: Bethan Terry’s sparky Belinda, nudging moody Dido (Leila Zanette) towards what she wants…”

    Robert Thicknesse, OperaNow

  • "Terry's honeyed soprano has a versatility of delivery, from spirited attack to lyrical introspection."

    Mark Aspen

  • "We have Giannetta - a sparkling, beautifully sung performance from Bethan Terry."

    Patrick Shorrock, Mark Aspen

  • Bethan Terry has another fetching and expansive aria here, as Adina hands back the naval papers... Terry beautifully expresses Adina's self realisation here."

    Mark Aspen

  • “Bethan Terry is a charming and sparkling presence as Belinda, especially so in her winsome solos…”

    Wellington Weekly News

  • “…complete with her faux Hungarian accent! Her delivery of the ‘Czardas’ was particularly impressive.”

    Roger Wettone, Music in Portsmouth

  • "Bethan Terry is captivating and attractive in the role of Adina, adding just a little edge to the sassy and independent woman."

    Mark Aspen

BIOGRAPHY

Bethan Terry is a lyric-coloratura soprano based in London, with Yorkshire roots. Her professional engagements range from full-scale operas to intimate recitals. Her most recent engagements include: Adina and Giannetta in L’elisir d’amore (Wild Arts Tour), recitals of French song in London’s Wigmore Hall and Paris’ Salle Cortot, Rosalinde in Die Fledermaus (Merry Opera), Gala soloist and recital curator for Clonter Opera, Belinda in Dido & Aeneas (Somerset Opera), Fiordiligi in Così fan tutte (NWOS), Haydn’s Nelson Mass and Bach’s Magnificat (Ely Cathedral), Haydn’s Creation (Solihull Choral Society), BBC Immersion George Walker concert (BBC Radio 3), and a recital tour in Tuscany.

Bethan was a Junior Vocal Fellow at the Guildhall School of Music & Drama, where she also completed her master’s and was taught by Janice Chapman and Marie Vassiliou; her undergraduate was at Trinity Laban Conservatoire of Music & Dance, where Bethan studied with Sophie Grimmer.